Our lIvES as event /
What art and science transform in us
67 QUESTIONS + one /
by ALEX SVI / in DIALOGUE with artworks of the collections /
4 PAGES /
4 PARTS /
ALL THE questions /
PROLOGUE /
1 / Are we younger than ourselves
2 / WHAT if the object, here, resides also in its form
3 / What do we know about our ignorance
4 /
What involuntary potency inhabits us
1 / Uncluttering /
demystify the individual
5 Character, posture and imposture /
Do our characters deceive us
6 The person in person /
What elements contribute to a identity
7 The means of storytelling /
What tale tells uS
8 Be the result of others /
In the end, what are we
9 Be the result of others /
In what sense Does reciprocity has a meaning
drop surpluses /
10 Learning to unlearn /
How does training distort us
11 Release the sense /
Is giving a meaning limiting
12 Calming the reasoning /
Is it unthinkable to think without thinking
13 Unblock the language /
How does a thought without words look like
14 See more clearly /
What do we gain decluttering oneself
15 Going away from elsewhere /
Are we engaged in a new rebirth
experience the essentials /
16 The singularity of reality /
Is singularity our common point
17 The idiot, the one who doesn't make sense /
And if being a fool is not foolish afterall
18 The eclipse, a night flash /
What does the shadow of reason cover mean
19 At night, or the part of shade /
To what lights does darkness open us
20 The sense of tragedy /
Mid way between two poles,
where can the creative gap emerge
21 The superposition as a structure of the world /
Which layers (millefeuille) are we the surface
22 The detachment /
WHAT DOES OUR OWN Erasure BRING US CLOSER TO
23 The opening /
How to find the ambition of space
24 Le ravissement /
How far can we resonate to the show of reality
2 / Getting equipped /
Other attitudes /
25 Contemplate the real /
And if perception was to review
26 Falling in love with details /
How much can you approach the real
27 Exploring consciousness /
Is Consciousness still Terra Incognita
28 Broaden the point of view /
How many octaves does the mind possess
29 To be able to experience the time lived /
How long it is from time to time
30 Get moving /
Is fossilizing fatal
31 Generate shapes /
why reveal what is not there yet
32 Weaving the true and the false /
Where is reality when you play with truth
33 Thinking backwards /
Do we love what we do or do what we love
34 Between two, choose the three
/
Neither yes nor no, then
what
35 To be lived fragile /
What to do with our fragility,
our doubts, our questions
UNEXPECTED METHODS /
36 Give yourself carte blanche /
What’s letting the horses loose
37 The treasures of waste /
How to obtain a masterpiece from recycling
38 Practice rebounding /
WHAT IS THE JOY OF TAKING OVER AND PASSING THE BATON
39 Building bridges /
What do we broaden when we jump
from one subject to the other
40 Dare to stick together /
From one end to the other
do we connect with ourselves
41 Compose by superposition /
How many different and simultaneous sensations
in an emotion
42 Build fixtures and fittings /
How to make a whole more interesting than its parts
43 Enjoy serendipity /
What can we find right next to
what we are searching for
3 / entering the present /
Openness to open forms /
44 Hesitation /
why Is certainty hasardous
45 The unpredictable /
Would life be what happens
when
one had planned something else
46 The incompleteness /
What place for the missing part
47 The discontinuous /
Is fluidity an illusion of our senses
48 archipelagic thinking /
What forms today’s world draw
Art
FOR examplE /
49 artists /
WHICH QUESTIONS CAN ONLY BE ASKED BY ART
50 The viewers /
What are we going through in contact
with worhs of art
51 THE ARTWORK /
What’s create ART
4 / Multiplying horizons /
navigate through complexity /
52 The value of misunderstanding /
Would Ambiguity weave the ties that unite us
53 The blind spot of reason /
What do we know of the fringes of madness
54
Ascensional madness /
IS CREATIVE GENIUS RELATED TO DELIRIUM
55 Bypassing borders /
Does backward thinking bring the mind in the right direction
56 The mythology of fine arts /
Is art the opposite of good taste
57 THE RICHNeESS OF FAILURE /
WHAT IS ADMIRABLE ABOUT FAILURE
58 The fresh air of the unintelligible /
WHAT ARE WE IN A POSITION TO UNDERSTAND
59 DO NOT know anything about it
Are we always ignorant of SOMEONE ELSE
60 The relevance of the inappropriate /
Why remain in place
61 Pleasing, displeasing, overriding /
HOW DOES A SCANDAL TODAY
BECOME A CLASSIC OF TOMORROW
weaving of the multitude /
62 Feeling numerous /
How many pieces to the puzzle
63 The registers of otherness /
Do we recognize ourselves elsewhere than in ourselves
64 Embracing mondiality /
IS THERE ANYTHING THAT ESCAPES CROSSBREEDING
Epilogue /
65 / remains the elusive / IS IT A QUESTION OF LIVING WITH THE IDEA
THAT SOME THINGS WILL ALWAYS ESCAPE US
66 / Outrages and ravissements /
to cross the line, is it to surpass ourselves
what else to saY /